Rachel Lewindon is an interdisciplinary composer, sound designer and producer working extensively in live performance. Her work explores the electro-acoustic intersection of composition and sound design, crafting immersive sonic experiences.
She has received multiple Green Room Nominations, winning the award for Best Composition/Sound Design in 2022 for her live score for ‘The Gospel According to Jesus Queen of Heaven’. Her recent bodies of work ‘/Esis’ and ‘the truth slips through my fingers to the floor’ explore the role of technology in crafting unique, interactive and dystopian sonic worlds.
She is fortunate enough to have work premiered internationally with The Banff Centre for the Arts (Canada), Sō Percussion Institute Princeton (USA), BRAZZA Artist’s Residency (France), BIRCA Climate Residency (Denmark) and nationally with Speak Percussion, Bundanon Trust, Melbourne Theatre Company, Arts Centre Melbourne, fortyfive Downstairs, Midsumma Festival, Darwin Festival and many other local music venues.